Storyline: This second story about the foster children of Angie Hartman - their family which has continued to support each other and to convene for Sunday dinners even with the children now mostly being adults - centers on artist Shari Adams, she having reverted to using her maiden name in light of her divorce from her diplomat husband, David Champlain. Shari has just permanently moved back to the Washington DC area, more specifically Baltimore, she lucky enough to have been accepted to live at an artists co-operative. That divorce has only settled into her psyche as her recent return from Zurich was to retrieve her belongings, she having left them there until now in the possibility of a last minute reconciliation with David. The divorce also marks a reset in her life in its entirety, including if she, beyond one commission already secured, wants to resume her art career on portraiture, but most importantly how she views her romantic life if there will be one at all in it not only being too early after David but in believing that David at the start was meant to be forever. That latter item becomes an issue as she makes a human connection with Evan James, the owner of the artists co-op. That connection is only strengthened with his want to have a showcase in the building for the artist residents, and as he goes on a mission to locate any art produced by his paternal grandmother, Lindsay James, who had to sell all her art for a pittance when she was younger to put food on the table, the whereabouts of all her pieces which she has no idea.